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1991
It's the Goth Eurythmics, with their patent phased whoosh of melody, mystery and more-money-than-Lush type production. Awesome but somewhat unengaging. "Great bass. Are these the ones who gave us Single Of The Week for 'Free Range'? That Curve... I saw them in a hotel in Birmingham. Didn't talk to them. I wouldn't have thought they'd sound like this. Good though. Bass is brilliant, innit? The vocals are over-produced. It is really 4AD, though, that innit? Good though." review by David Quantick, with Mark E Smith (nicked from 'New Musical Express', dated 27 June 1992) |